I. Theatre: a contested site of modernity and appropriation: 1.

The Heroine's song in the Marathi Theatre between 1910 and 1920: its code and its public/Urmila Bhirdikar. 2.

Theatre songs: the alter ego of the nineteenth century Bengali stage/Devajit Bandyopadhyay. 3.

Legacies of discourse: special drama and its history/Susan Seizer. 4.

Ushering changes: constructing the history of Tamil Theatre during colonial times through Drama notices/Mangai A. and V.

Arasu. 5.

Some issues in conceptualizing popular culture: the case of the Lavani and Powada in Maharashtra/Sharmila Rege. 6.

Foreign origins/native destinations: Shakespeare and the logic of vernacular public stage/Javed Malick. II.

Theatre and gender: re-scribing patriarchy: 7. Excluding the petty and grotesque: depicting women in early twentieth century Marathi Theatre/Sudhanva Deshpande.

8. Reading Premchand's The Actress/Nandi Bhatia.

9. Jester and gender in Manipuri Theatre tradition during the colonial era (1891-1947) Manipur/Ksh.

Imokanta Singh. 10.

Kattaikkuttu Girls/Hanne M. De Bruin.

11. Fore-grounding the actresses' (less)

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