Basics. 2.

Accessories. Section ‘B’: A.

Basic Mathematics: 1. Study of Basic Matrix Operation.

2. Solution of Linear Equations.

3. Determination of Eigenvalues and Eigenvectors of a Square Matrix.

4. Solution of Linear Equations for Underdetermined and Overdetermined Cases.

5. Determination of Roots of a Polynomial.

6. Plotting of 2D and 3D Curves.

7. Determination of a Polynomial using Method of Least Square Curve Fitting.

8. Determination of Polynomial Fit, Analyzing Residuals, Exponential Fit and Error Bounds from Given Data.

B. Calculus: 9.

Differentiation and Integration of a Given Function. 10.

Solution of Ordinary Differential Equation (ODE). C.

Application: 11. Solution of Differential Equation by Euler Method.

12. Solution of Differential Equation using Fourth Order Runge-Kutta Method.

13. Determination of Time Response of R-L-C Circuit.

D. Additional: 14.

Frequency Response of a Transfer Function. 15.

Other Useful Exercises. Appendix.

"This book is primarily written for third semester electrical engineering and (less)

1. A musical diary.

2. A musical diary (contd.

). 3.

Legend, history and the present day. 4.

The scale. 5.

Mode. 6.

Raga. 7.

Grace. 8.

Tala. 9.

Drumming. 10.

The Saman Chant. 11.

Form. 12.

Melody. Appendices.

Bibliography. Glossary and index.

"This book is very important one on Indian Music and it has been honoured all over the world due to its extraordinary features. It is very interesting for the persons who love the music of our country.

The author has made all the chapters very attractive by giving many illustrations and has given a simple method of music so that an ordinary person may understood easily and may take advantage of his experience and intelligence. First of all the author has introduced all the essential characteristics of music and the development of music since early days, which are necessary to know for the readers.

The first chapter opens with the (less)

Indian classical dance: the background. 2.

Dasi Attam. 3.

A Dasi Attam performance. 4.

The Devadasis. 5.

Kuchipudi. 6.

Bhagvata Mela Nataka. 7.

Kuravanji. 8.

Kathakali. 9.

Make-up, costume, head-dress and jewellery of Kathakali. 10.

Mohini Attam. 11.

Ottan Tullal. 12.

Yakshagana. 13.

Kathak. 14.

A Kathak performance. 15.

The Ras Lila of Braj. 16.

Manipuri dance. 17.

Lai Haroba, Ras Lila and other dances. 18.

Sattra dances of Assam. 19.

Odissi. 20.

Santiniketan. 21.

Uday Shankar. 22.

Chhau. 23.

Folk dances. India's dancers.

Glossary. Bibliography.

Index. "The dances of India are among the oldest dance genres still widely practised today.

In recent years they have become increasingly known and appreciated all over the world. This book details the history of the several styles of Indian dance and gives an account of the cultural, religious, social and political factors which influenced their growth and development.

There are fascinating side-lights on the etiquette (less)

2. Finding overlapping biclusters from gene expression data/Debahuti Mishra.

3. In Silico 3D structure prediction of Amylase (Drosophila Melanogaster/Ruby Dewangan, Sheetal Khatri, Ashish Patel, Ashajyoti Das and M.

K. Verma.

4. Bioinformatics challenges: biologists need help from computer science/Seema Trivedi.

5. Nanotechnology and medicine/Mukesh Kalla.

6. Multiple sequence alignment and phylogenetic analysis of RNA polymerase protein subunits from chloroplast of Triticum aestivum/Prakash Chandra Mishra.

7. Computational techniques for bioinformatics systems/V.

S. Bansal.

8. Bioinformatics: opportunities in education and research/K.

R. Choudhary.

9. Petri nets for modelling and simulation of gene regulatory networks/Raed.

I Hamed. 10.

Formal language theory applied to living organism/K.R.

Choudhary. 11.

Modeling genetic behavior in heredity through Markov chains/Rajesh Purohit. 12.

Creation of gene regulatory network by using graph theory algorithms/Seema S. 13.

Semantic bioinformatic: A seamless approach/Sumit Purohit. 14.

Soft computing--an emerging tool for bioinformatics/Jayashri Vajpai. 15.

Visiualization of features in images using self-organizing map (less)

Personal experience (biographical). 2.

A life of dialogical commitment. II.

Abhishiktananda's dialogical theology: 1. The context and the setting of Abhishiktananda's dialogical theology.

2. Presuppositions and process of Abhishiktananda's dialogical theology.

3. The unique shape of Abhishiktananda's dialogical theology.

3. Evaluation and conclusion.

Bibliography. Index.

"This book in its original form is the thesis submitted to the Senate of Serampore College towards the D.Th degree with the title : "An Examination of Swami Abhishiktananda's Dialogical Theology": now published, with written permission with the title : "A Christian Dialogical Theology : The Contribution of Swami Abhishiktananda.

The book is both a person-oriented and a problem-oriented research. It focuses on the unique personality of Swami Abhishiktananda and on the unique contribution he has made to the problem of inter-faith relationships in terms of inter-faith dialogue.

Meeting between the Sanathana Dharma (classical Hindu faith, Advaita in particular) and Christianity as a faith (less)

There have been many later works from Indian Christian scholars emphasising the possible contributions of one or other school of Indian philosophy to Christian thought. Whereas the merit of these two pioneering works was that they provide a Christian response to all the six systems of Hindu philosophy together comprehensively.

For the later Indian Christian scholars to follow inclusivism or pluralism or pluralistic inclusivism in Theology of Religions, somebody had to start at the (less)

I. Introduction.

II. Pigments : 1.

Blue. 2.

Yellow. 3.

White. 4.

Red. 5.

Black. 6.

Green, 7. Gold.

8. Silver and tin.

9. Pigments in use in the early twentieth century.

10. Mixed colours.

III. Materials : 1.

Binding media. 2.

Brushes. 3.

Paper. 4.

Other accessories. IV.

Miniature painting : method. V.

Miniature painting : method (Contd.).

VI. Wall-painting.

VII. Colour and pattern notes on drawings.

VIII. Compositions and colours.

IX. Pahari painter and the Pandit.

X. Notes on allied matters : 1.

Illuminated manuscripts. 2.

Painted wood-work. 3.

Painting cloth. 4.

Chamba rumal. 5.

Pictorial work on other materials. XI.

A sequel to On the Origin of Pahari painting. Appendix.

Bibliography. "This richly illustrated book is the first detailed study of the technique of Indian painting with an emphasis on the particulars for crafting of Pahari paintings of the Basohli, the Guler and the Kangra styles.

After Moti (less)